Sound installation by Ánde Somby. Technical Manager is Christopher Watson and Elin Már Øyen Vister.
Installations & Performances
The Surrey Moog Symposium 2018 will take place on 3rd Feb 2018 in PATS Studio 1 at the University of Surrey, Guildford. Surrey’s Department of Music and Media, in collaboration with the Moog Soundlab UK and Moog Music Inc. (USA) will present a day of performances and discussions celebrating the life and legacy of Dr Robert ‘Bob’ Moog and the lasting impact of his sound synthesisers.
The Symposium will feature live performances by Chris Watson, using modular sound processing systems and recordings of New York environments, Chris Carter will give his second live performance using his own new modular system, and one of the world’s leading authorities on electronic music, Thom Holmes will present the symposium’s keynote lecture “The Sound of Moog”.
Chris Watson’s performance will be supported by Finlay Shakespeare.
The symposium also marks the launch of the new Moog Recording Library record label, who release a series of new recordings on vinyl of work created with the Moog Soundlab UK over the past three years.
The Symposium will also feature a roundtable discussion Bob Moog and the “living machines”, and live demonstrations of the Moog Soundlab UK and new modular-synthesis developments by Finlay Shakespeare.
Only 200 tickets are available.
Details of all events and online tickets sales:
The world premiere of an original, multi-channel sound installation from internationally acclaimed and BAFTA award-winning sound artist Chris Watson. Chris has deep ties to the North of England and has travelled the world collecting sounds. One of the world’s leading recorders of wildlife and natural phenomena, Chris’ work puts “a microphone where you can’t put your ears”.
A collaboration between Hull 2017 and the University of Hull, this three dimensional sound sculpture follows the ebbing tide, from the confluence of the rivers Trent and Ouse. An enthralling journey along the Humber estuary and out into rich melodies of the North Sea, experienced at the Gulbenkian Centre using sound, space and light as evocation.
This is a durational installation piece. This installation is approx. 30 mins in length but runs as a continuous loop. Audiences can experience a single cycle or stay longer if they wish.
William Basinski & James Elaine
Keith Fullerton Whitman
Catherine Christer Hennix
Experience immersive live cinema in the Tanks
On the fifth night of the BMW Tate Live Exhibition Carlos Casas presents Sanctuary 2017, a site-specific infrasound environment open to the public during the day which will transition to an immersive live cinema experience. Inspired by the myth of an elephant graveyard in Sri Lanka, Sanctuary grows out of Casas’ wider research for Cemetery, an expansive film project initiated in 2007 which brings together footage he has been shooting in locations across the globe with field recordings by renowned sound artist and musician Chris Watson.
Featuring a film and light design by Carlos Casas, live sound by Chris Watson, and infrasound engineering by Tony Myatt, the live cinema performance Sanctuary segues from a projection to a spatial sound experience. Part nature documentary, part experimental fiction, the narrative follows the journey of an elephant, his mahout, and a group of poachers following their trace into the darkness of the night. By enabling visitors to tune their senses to infrasound communication throughout the day, the live completes a unique sensory testing ground for encounters with other species.
Inspired by our iconic Finback Whale, the Museum of Zoology ran a series of workshops collecting voices from Cambridge and beyond to create a soundtrack for this amazing skeleton in the newly built Whale Hall of the Museum of Zoology. With the help of choir leader Rowena Whitehead and Jo Shaw and Tizzy Faller from the Department of Music, we reached out to over 1000 people in schools, museums and other spaces. Chris Watson, award-winning wildlife sound recorder and sound artist, has combined these with his recordings of the world’s oceans into a magical, atmospheric journey around the world. Here is the finished piece, which you can hear in the Whale Hall from late 2017.
Friday 20 January
18.00 – 21.00
Inspired by Picasso’s circle in Montmartre in the first decade of the 20th century, the Gallery becomes an artists’ colony featuring a wild cross-pollination of ideas, music, poetry, performance, art, film and dance. For one evening only, step inside the mind of Picasso where Everything You Can Imagine is Real…
Curated and Produced by Martyn Ware for Illustrious.
Zarina Bhimji, Georgina Brett, Peter Coyle, Eclectic Method, Vanessa Fenton, Feral Five, Sarah Hopkins, Aaron Horn, IN-IS, Marcus Lyon, Di Mainstone, Tracey Moberly, Nikky Norton-Shafau, Obsrvtry, Radiophonic Workshop, Ian Reddington, Cherub Sanson, Scanner, John Shuttleworth, The Spinning Yarns, Chris Sullivan, Toby Thompson, Gabriel Ware, Martyn Ware, Chris Watson,Tim Wheater, White Noise, Luke Wright
Download programme here
Supported by Goldman Sachs
Soundscape system and headphones by Bowers & Wilkins
Part of the programme of events complementing Picasso Portraits.
A Night conducted by Cédric Villani
With Chris Watson, Martin Hertau (TARA)…
Following the Bat Night in 2014 and the Night of Honey in 2015, the Nights of Uncertainty program continues its exploration of the natural world together with Cédric Villani.
English musician Chris Watson is one of the leading figure of field recording today. Throughout the evening, he takes the audience on a journey, listening to the winds of the Earth, from the North Polar Zone to Antarctica, through the plains of Tanzania, the coasts of Thailand or the Scottish Highlands. Cédric Villani discusses with Martin Hertau, captain of Tara schooner, thanks to a live connexion from its anchorage near Maupihaa atoll, in the middle of the Pacific Ocean, in order to speak about sailing with winds.
Through the various contributions, as well as screenings and readings, Cédric Villani, a mathematician with an infinite curiosity, explores one of the first sound phenomena appeared on Earth and brings to it his own scientific and poetic perspective.
Monday, September 5th at 8 pm
Imaginary Journeys to the Elephants’ Graveyard
With Carlos Casas, Chris Watson & Joyce Poole
Walk through the exhibition spaces and in the garden (screening, installations, conference, concert)
Duration: approx. 1h15
Carlos Casas’ movies are at the crossroad of documentaries, fictions, visual and sound arts. For this Nomadic Night, the Catalan filmmaker has chosen to bring the audience inside the making of his next film entitled Cemetery, a visual and aural experience inspired by the mythical elephants’ graveyard. At once an action movie, an experimental film and a science-fictional documentary, Cemetery is a sort of initiatory trip, an acoustic Noah’s arc paying equal tribute to Tarzan and to La Région Centrale by Michael Snow.
During this Nomadic Night, conceived as an exclusive insight into this project, spectators will engage in a quest for aural and visual remnants of the mythical graveyard using photographs, drawings and research documents pertaining to the film. The event will be punctuated by a conference on the language of elephants and by a concert inspired by the film’s soundscape.
With the exclusive participation of Chris Watson during one concert – founding member of the post-Punk band Cabaret Voltaire in the 1970’s, sound recorder for “Life” the BBC documentary series by Sir David Attenborough, he is one of the main figures of field recording today.
With the intervention of Joyce Poole, researcher specialized into the social and cognitive behavior of elephants and cofounder of the NGO “Elephant Voices”.
No assigned seats.
Compass is a brand new sound installation from world renowned wildlife recordist Chris Watson and acclaimed Northumbrian poet Linda France. Specially commissioned by Cheeseburn, and located in four different places around the grounds, visitors are invited to listen to a lightly orchestrated soundscape of birdsong, wildlife, weather and original poems – each composed to the specific setting, the time of day and the season.
Chris Watson and Linda France visited Cheeseburn frequently over one year to create this exciting new installation, where a world riven with migration and change finds a compass in the sense of soon itself, the poetry of everyday listening. Visit the Formal Garden, The Courtyard, The Potting Shed and the Stable Loft to experience Compass this August Bank Holiday weekend.
Homo Faber: A Rainbow Caravan
‘The Great Circle’ is an Ambisonic sound installation taking the audience on a journey from Northumberland to Aichi overland via a Great Circle route.
24 February 2016, 19.00
The Little Museum of Dublin
15 St Stephen’s Green, Dublin
An evening with Chris Watson, one of the world’s leading recorders of natural phenomena. The evening begins at 7pm with a Santa Rita wine reception and pre-concert interview with the performer. The performance begins at 8pm sharp. Tickets €13 pre-booked; €15 on the door.
July 30th – August 2nd, 2015
St. Germans, Cornwall
Chris Watson will be presenting ‘Dusk ’till Dawn’ in the Round Room 1000h-1100h Saturday and Sunday. Sunday at 1630h he will be presenting ‘Caught By The River Coquet’ with John Andrews at the Caught By The River marquee.
Chris Watson & Tim Shaw
Tuning In – Listening Back in Time is a reconstruction of time distant voices and personal accounts of events on Tyneside during the First World War. The work will be presented using period audio technology in a science and technology basement store…
The Dawn Chorus installation will be live from Thursday 25 September until early January at the Foundling Museum.
Renowned wildlife sound recordist and 2014 Handel Fellow Chris Watson, and young care-leavers from London, recorded the sounds of the dawn chorus on the site of the original Foundling Hospital. Inspired by the genetic link today’s birds have with those that sang here for the eighteenth and nineteenth century foundlings, Watson’s installation links past and present through a poetic meditation on the spirit of place.
This piece was recorded in the green and residential areas that surround the Foundling Museum. Watson and his young team recorded throughout the night, ending the session on Sunday 4 May, International Dawn Chorus Day.