Caught by the River at Port Eliot Festival 2019

Venture south and explore large-scale public art in Tasmania’s Huon Valley. Project X will present a series of major artworks in the Huon, with the aim of bringing visitors back to the south in the wake of the bushfires that recently ravaged the island.

The Shape of a Circle in the Mind of a Fish with Plants: A Festival on Plant Intelligence
EartH Hackney
11-17 Stoke Newington Road London N16 8BH
Sunday 19th May 1-11pm

Chris Watson, Salmo salar – The Three Realms, on location Croquet Head, commissioned by Serpentine Galleries and L-Acoustics on the occasion of The Shape of a Circle in the Mind of a Fish, 2019.

“Most people who bother to think about plants at all tend to regard them as the mute, immobile furniture of our world—useful enough, and generally attractive, but obviously second-class citizens in the republic of life on Earth.” (Stefano Mancuso)

The Shape of a Circle in the Mind of a Fish with Plants is a multidisciplinary festival that brings together artists, scientists, writers, anthropologists and musicians for talks, performances, screenings and listening sessions that raise and address some of the most urgent questions facing all of us.

www.serpentinegalleries.org/files/press-releases/gen_eco_-_press_release_final.pdf

After a devastating earthquake, Nga, an old elephant and probably the last of his kind, and Sanra, his mahout, embark on a journey to find the mythical elephant’s graveyard. A story of discovery and mourning in which the spectator becomes the protagonist, the film follows the duo as they are stalked closely by a group of poachers, who begin to die one after another under mysterious circumstances.

Carlos Casas’s Sanctuary offers a mesmerizing sonic and visual cinematic environment that immerses the audience in the sounds, textures, and hues of the jungle. Projected on the mega-screen in EMPAC’s Concert Hall, and featuring live Ambisonics, Wavefield Synthesis, and infrasound to induce a deep sense of physical closeness with the elephant, Sanctuary presents a unique sensorial experience that collapses the boundaries between art, nature documentary, and adventure film.

Chris Watson collaborated with the bioacoustician and elephant communication expert Joyce Poole to record the acoustic sphere of elephants. Tony Myatt developed the infrasound speaker and implemented the spatial audio. Both will perform live on the speaker systems installed throughout the hall. This is the US premiere of the project, which was previously presented at the Fondation Cartier, Paris; the Tate Modern, London; and the Kunstenfestivaldesarts, Brussels.

empac.rpi.edu/events/2019/sanctuary

Okeanos takes the audience on an auditory underwater journey around the globe. Years of recordings from pole to pole will be performed with three audio systems in the Concert Hall: a dome of 64 loudspeakers used to project sounds around the audience in an Ambisonic environment, a Wave Field Synthesis array, consisting of hundreds of small speakers placed above the audience, and a custom-built infrasound speaker used to create the lowest frequencies, which can be more felt than heard. The composition will include songs, signals, and vibrations from the smallest crustaceans to the loudest and largest animals ever to have existed.

Chris Watson and Tony Myatt will perform a version of the work specifically developed for EMPAC’s Concert Hall and its audio systems. This new version will also integrate sound materials recorded on the Northeastern coast of the US and humpback whale recordings from the Silver Banks (Dominican Republic).

empac.rpi.edu/events/2019/okeanos

Berwick Film & Media Arts Festival presents the premiere of Enceindre, a new commission and first collaboration between artist filmmaker Luke Fowler and acclaimed sound recordist Chris Watson. Enceindre is a study in film and sound of two 16th century fortified cities: Berwick in the North-East of England and Pamplona in the Navarre region of the North of Spain.

If fortifications are considered ‘the body of the place’, what does it means to live in a body that is outside of time and without purpose? Could these fortress towns be considered hetrotopias? Or are they, as the writer WG Sebald vividly describes, alien structures denuded from human history? Enceindre adopts an infra-sensitive approach to place, drawing on unheard acoustic perspectives and lucid camerawork to propose a new framework in which to consider these anachronistic landscapes.

The film’s world premiere at BFMAF 2018 will be immediately followed by a ‘dark cinema’ version of the film with an alternative soundtrack diffused live by Chris Watson.

Commission supported by LUMA Foundation, Outset Scotland and Berwick-upon-Tweed Town Council

www.bfmaf.org/programme/specialevents/enceindre