No Man’s Land is an audio installation celebrating the sounds, rhythms and music of the world’s seas and oceans.
No Man’s Land is at the Attenborough Centre for the Creative Arts until Fri 13 Apr.
Interview for BN1 magazine can be read here
Sound Mind: Graham Duff interviews Chris Watson, about his groundbreaking work with the experimental music groups Cabaret Voltaire and The Hafler Trio, his career as one of the world’s most celebrated wildlife recordists, his albums of field recordings released on the Touch label and his new site specific sound installation ‘No Man’s Land’. Contains extensive examples of both Watson’s music and field recordings. Headphone listening recommended throughout.
Alan Dunn writes:
“For the past 10 years, Chris has been working with visual arts students at Leeds Beckett University and artist Alan Dunn on a series of sound recording projects. Last year they collaborated with the National Science and Media Museum in Bradford and Noise Orchestra on the ‘Journey through the Mirror Pool’ installation and this year are developing new audio content as part of the LATES: FUTURE SCIENCE event on Thursday 8th March. Students from across the School of Art, Architecture and Design, along with artist Louise K. Wilson and students from University of Leeds have been exploring the theme of engineering through recordings of burning Brazil nuts, rust and beds of sand”
You can see more photos here
Sound installation by Ánde Somby. Technical Manager is Christopher Watson and Elin Már Øyen Vister.
You can visit the exhibition from 24th February until 8th April 2018 and you watch on NRK here
The Surrey Moog Symposium 2018 will take place on 3rd Feb 2018 in PATS Studio 1 at the University of Surrey, Guildford. Surrey’s Department of Music and Media, in collaboration with the Moog Soundlab UK and Moog Music Inc. (USA) will present a day of performances and discussions celebrating the life and legacy of Dr Robert ‘Bob’ Moog and the lasting impact of his sound synthesisers.
The Symposium will feature live performances by Chris Watson, using modular sound processing systems and recordings of New York environments, Chris Carter will give his second live performance using his own new modular system, and one of the world’s leading authorities on electronic music, Thom Holmes will present the symposium’s keynote lecture “The Sound of Moog”.
Chris Watson’s performance will be supported by Finlay Shakespeare.
The symposium also marks the launch of the new Moog Recording Library record label, who release a series of new recordings on vinyl of work created with the Moog Soundlab UK over the past three years.
The Symposium will also feature a roundtable discussion Bob Moog and the “living machines”, and live demonstrations of the Moog Soundlab UK and new modular-synthesis developments by Finlay Shakespeare.
Only 200 tickets are available.
Details of all events and online tickets sales:
Surrey Moog Symposium 2018 PressRelease
8 January 2018 | 9am – 8pm
CRiSAP – Creative Research into Sound Arts Practice
London College of Communication, University of the Arts London, Elephant & Castle, London, SE1 6SB
BOOK TICKETS: £10 standard ticket, £5 unwaged / Low waged / Students, Free for TECHNE members.
J.R. Carpenter – Artist, writer and researcher
Laura Cannell – Musician, Specially Commissioned Bass Recorder Performance for LOMA
Chris Watson – BAFTA award winning sound recordist
James Dooley – Digital artist, awarded the LOMA 18 Artist Commission for Have you talked about the weather today?
Have you talked about the weather today? is a video and sound installation that uses live feeds from the International Space Station to ask questions about the way we engage with the weather.
The work invites the audience to take a virtual trip on the ISS —the ultimate indoors experience—and experience a sonic Baudrillardian simulacrum of ground level weather and atmospheric conditions relative to the ISS’s position above the Earth. By tracking the ISS and using the Dark Sky weather API service, data detailing current weather and atmospheric conditions at the ground point perpendicular to the position of ISS are collected via ‘The Cloud’. Temperature, humidity, cloud cover and precipitation are sonified using noise-based synthesis techniques, with sound spatialisation controlled by wind speed and direction. Weather statistics and a live video stream looking out of the ISS are projected onto the wall of the installation space to further emphasise the removal of the audience from the direct experience of outdoors.
Have you talked about the weather today? questions our perception and experience of the weather in relation to our ‘indoor’ lives, the structures and systems we create to sustain our existence and protect us from the elements, the resources they consume and the reciprocal feedback this has on global weather patterns. Through technological mediation we can localise our global experience, but it comes at a global cost.
Speaker: Chris Watson
Faculty of Arts, University of Wolverhampton and Institute of Acoustics (IOA), Midlands Branch
Date: Thursday 25 January 2018, 6pm for a 6.30pm start
Venue: The Black Box Theatre, The Performance Hub, Walsall
Chris Watson will describe and illustrate with sounds and images the journey he made to Antarctica and the South Pole as sound recordist for the BBC television series ‘Frozen Planet’ several years ago. This is a place described a century earlier by the film maker Herbert Ponting as the ‘Great White Silence’ when he filmed the ill fated journey of Captain Robert Falcon Scott’s polar expedition. Watson will describe his experiences in discovering a sound rich environment under the surface of the ‘silence’.
Background: Watson was a founding member of the influential Sheffield based experimental music group Cabaret Voltaire during the late 1970’s and early 1980’s. Since then he has developed a particular and passionate interest in recording the wildlife sounds of animals, habitats and atmospheres from around the world. As a freelance composer and sound recordist Watson specialises in creating spatial sound installations which feature a strong sense and spirit of place. His television work includes many programmes in the David Attenborough ‘Life’ series including ‘The Life of Birds’ which won a BAFTA Award for ‘Best Factual Sound’ in 1996, and as the location sound recordist on the BBC’s series ‘Frozen Planet’ which also won a BAFTA Award for ‘Best Factual Sound’ (2012). Watson has recorded and featured in many BBC Radio 4 productions including ‘The Wire’ which won him the Broadcasting Press Guild’s Broadcaster of The Year Award (2012). His music is regularly featured on the BBC Radio 3 programme ‘Late Junction’. In 2013 Watson received a Paul Hamlyn Composers Award. His installations have been commissioned by international galleries and festivals such as; Sheffield Millennium Gallery, Opera North in Leeds, The National Gallery, London, The Royal Opera House, Covent Garden, The Louvre, Paris and the Aichi Triennial in Japan. His albums are released by Touch.
Attendance is free and everyone is welcome, but booking is required. If you have any queries please contact A.Foteinou@wlv.ac.uk.
The event is supported by PMC-The Professional Monitor Company
RECORDINGS BY CHRIS WATSON VECTOR SYNTHESIS
8GB Library | Kontakt Player compatible
The idea that certain places take on the weight of past events is familiar to all of us. Renowned field recordist Chris Watson has spent years collecting audio recordings from such places in one of his most personal projects.
Ancient Temples, Ice Lagoons, Cold War Bases, Abandoned Silver Mines, Power Stations, Cathedrals, Canyons, Underwater Tunnels, Deserted Art Galleries and Maori Burial Caves all feature in this unique instrument.
Until 12th January 2018 you can get 30% off Haunted Spaces
ENTER CODE: OISSYBUDE
INTRO OFFER Until 12th January 2018 you can get 30% off Haunted Spaces ENTER CODE: OISSYBUDE
76pp full colour book + CD
33 tracks – 78:59
Limited edition of 1000
Release date: 11th December 2017
Into the Open
Mika Vainio – Behind the Radiators
AER – Just Before Dawn
Bethan Kellough – Twelve
Wire – A Year A Second [For BCG]
London in a Week
Carl Michael Von Hausswolff – Sine Missing One
Chris Watson – Deepcar
Jana Winderen – Bronx Tunnel
The Magical Land of the North
Claire M Singer – Storr
Hildur Gudnadottir – Death 200AD
Three 20 – Four Twelve
Philip Jeck – Deed of Gift
Walking on Water
Simon Scott – Storm of the Fens
Eleh – Overt One
The Love Train
Russell Haswell – Demons
Heitor Alvelos – Expectant
I’m a Schoolteacher on Holiday
Johann Johannsson – Mingyun
Mark Van Hoen – Prescient
Fennesz – Paint It Black (remastered)
Sohrab – JV Dream
It’s Enough to Make You Weep
Strafe FR – Virgin
Before The Sea @ Falasarna
Jim O’Rourke – Despite The Water Supply
Situation Stabilised / BJ Nilsen – Atom Mother
Peter Rehberg – Cinecom
Gateway to the Garden
Oren Ambarchi – Testify
The Sound of Eleven
In a 24/7 world there is no greater challenge than “to be in command of one’s own time”. Is it true that the ability to download anything, at any moment, constitutes freedom? Has the ‘value’ of music, art and design been stripped bare? “I Google, therefore I am”…
Touch MOVEMENTS has been compiled over the course of 3 years. It is a response to many requests for Touch to publish a fuller account of Jon Wozencroft’s photography for the cover art of the project. The book follows the music, which was compiled step-by-step, like a jigsaw – there was not an “open call” to the artists, rather a sequential development which gives the CD a special narrative quality. And since our last Touch 30 compilation in 2012, the accuracy of the music has grown and rises to the challenge of what sound can do to transform perceptions about the immediate emotion of musical work and its more difficult, longer term evolution.
Following Touch Folio 001 in 2015, this series is a dedication to finding new ways of audiovisual publishing, somewhere between the twin peaks of a jewel-cased CD and a lavish box-set. The two elements of sound and the visual work in parallel to create the idea of an “Ear-book”, whose interdependency reveals itself over time, and allows the richest of listening and viewing experiences. The music and the photography is fully annotated, alongside a rarely-seen manifesto by the Surrealist film-maker Jan Švankmajer which celebrates the spirit of the creative act.
Order FOLIO 002 | Various Artists/Jon Wozencroft – “Touch Movements” [76pp Book + CD] in the TouchShop
Jez riley French
and special guests
a quiet position / northern sound, in association with Wildeye, are pleased to announce our 2018 trip, a Scottish gathering of listeners in an area of stunning habitats from Munros (mountains over 3000 feet) to Loch’s, rivers and glens.
The trip promises to be not only a rich source of inspiration, listening and recording possibilities but a chance to discuss and share knowledge around the subjects of located sound, acoustic ecology and contemporary sound practice in its varied forms.
cost: £795 per person
which includes 6 nights full board accommodation in Glenshee, on the edge of the Cairngorms
Monday 4th June to Sunday 10th June, 2018
to secure your place please fill out the booking form at the bottom of this page or email Jez here
9th September 2017 – 28th January 2018
Twilight was filmed by Collins over 2 years close to Baltimore in West Cork, with field recordings by world renowned sound artist Chris Watson. The film has twilight as its central subject and is an attempt to capture the colour and quality of light that is in flux, the fleeting and transient sensations, the sense of the world turning. At its heart is the notion of a film where the viewer is given time to contemplate the texture of the world and their own place in it.
“The sound near where we filmed has few intrusions from the modern world. We could hear the gulls in the distance – though they seemed too far away to be heard. After the sun goes down, here on the southern edge of Ireland, in mid summer, all sounds still and silent – not so much as if the world is holding its breath but as if it is breathing peacefully”.
SATURDAY 21ST OCTOBER 2017
THE 2017 WIRED OPEN DAY FESTIVAL & The ‘agri(culture)’ Project
WEDNESDAY 25th OCTOBER – SUNDAY 29th OCTOBER, 2017
WILD LAB : KOSCIUSZKO – ENVIRONMENTAL SOUND RECORDING MASTERCLASS WITH CHRIS WATSON (UK)
The Wired Lab is hugely proud to be presenting the first Australian Wilderness based workshop with Chris Watson (UK), a seminal field recordist and sound artist.
This four-day intensive field recording masterclass explores audio documentation in a range of natural habitats via various recording techniques and technologies, through to the application of these sounds in fields spanning the arts, film/screen, environmental sciences, gaming, VR, music and sound design.
Co-facilitating the workshop will be David Burraston. David is a recent Watson collaborator, 2017 Create NSW Fellow and founding member of The Wired Lab.
Joining Watson and Burraston will be zoologist and acoustic monitoring guru Chris Watson (AU) who was part of the team that recently re-discovered the Night Parrot (Pezoporus occidentalis), a bird endemic to Australia that was thought to be extinct.
CLICK HERE FOR FURTHER WORKSHOP AND BOOKING INFORMATION
Oslo has a diverse soundscape – what’s your favourite sound in the city? What can we learn about our cities by listening? Get to know Jana Winderen and Chris Watson’s artistic practices through the seminar Sounds of the City.
Chris Watson will be presenting the sound installation “Inside the Circle of Fire: A Sheffield Sound Map”, and Jana Winderen will be giving an introduction to her work with examples from her recordings of fish, seals, crustaceans and insects under water, and ultrasound recordings of bats and rats. The seminar will culminate in a conversation between Winderen and Watson, opening the discussion up to the audience.
The seminar will be held in English. It is free to attend, and everyone will receive a complimentary copy of the publication “Jana Winderen, Rats – Secret Soundscapes of the City”. Entry to the Munch Museum from kl. 13.30.
“Sounds of the City” is held in connection with Jana Winderen’s most recent project “Rats – Secret Soundscapes of the City”, a sound installation under the bridge in Trelastgata 1 in Bjørvika. Winderen’s project is part of a collaboration between the Munch Museum and nyMusikk.
More information here
The 2017 Longplayer Conversation, between Chris Watson and Sir David Attenborough, will take place from 7pm on Monday 27th November at the Knowledge Centre, British Library, London NW1.
Chris is in Torbay from Monday 4th – 11th installing and opening ‘No Man’s Land’ at Berry Head for “The Tale”. You can read about this in Wired here.
AN ADVENTUROUS ARTS EVENT FOR EXPLORERS OF ALL AGES
The Tale unfolds across the stunning landscape of Torbay, South Devon this September.
A unique kind of arts trail, The Tale guides you on a journey of discovery around the coast of Torbay – from the streets of Torquay, through hidden coves & historic harbours of Brixham, to the quarry of Berry Head Nature Reserve.
Along the way you’ll encounter performances & installations from internationally acclaimed artists, created especially for Torbay.
‘Pull back the curtain on an art deco cinema, closed to the public for 25 years (Britt Hatzius). Immerse yourself in a 360-degree sound installation deep in a quarry, inspired by the sounds of the ocean (BBC sound artist Chris Watson). End your Tale at sunset, looking out upon a dance performance where the land meets the sea.’
Families welcome. Under 16s go free!
Recommended reading by Jacob Smith at NorthWestern University (Illinois) –
The chance meeting of a goose and a plover on a turntable: Chris Watson’s wildlife sound recordings (pdf)
Jacob Smith also wrote “Eco-Sonic Media” (University of California Press, 2015):
The negative environmental effects of media culture are not often acknowledged: the fuel required to keep huge server farms in operation, landfills full of high tech junk, and the extraction of rare minerals for devices reliant on them are just some of the hidden costs of the contemporary mediascape. Eco-Sonic Media brings an ecological critique to the history of sound media technologies in order to amplify the environmental undertones in sound studies and turn up the audio in discussions of greening the media.
Photo: Chris Watson at Allt an t-Sionnaich